Mobility is typically associated with efficiency, productivity and accomplishment. Our lab will point out the downside of mobility, which is preventing basic human connection, specifically as generated via mobile technologies.

Date: TBD Summer Streets, August 2011
TBD major Manhattan knots, 23rd+Park; 23rd+Mad; 34th+6th; Unionsq TBD


Leslie Wellott, currently Director of Insight at Imagination, is an experienced creative strategist who is driven to explore what is happening within people, institutions and culture to deliver interesting insight, meaningful design solutions and relevant communication strategies across a diverse set of industries that connect to people while meeting brand and business objectives.

Laetitia Wolff is a design writer, curator and strategist, and the founder of futureflair, an international creative conduit that provides a critical eye on all things visual and a multifaceted understanding of the cultural value and strategic dimensions of design. With cross-disciplinary tactics, futureflair focuses on translating values and ideas into sophisticated, scalable and integrated communications strategies as well as concrete, innovative, content-rich programming.

Ayse Birsel
is Co-founder and Creative Director of Birsel + Seck, an empathy driven product design studio in New York City that partners with Fortune 500 clients to bring innovation to market. Her work is in the permanent collections of the Museum of Modern Art and Cooper Hewitt National Design Museum and has received numerous awards, including the IDEA Gold and ID Magazine Excellence Awards.

Dominique Gonfard started working at Narchitects after graduating from Parsons School of Design with an MArch. She founded Lerival in 2008, a design house that represents the best of furniture by today’s architects. Founded on a passion for pushing the boundaries of contemporary design and promoting undiscovered talent, lerival creates furniture that embodies the provocative aesthetic and innovative techniques of contemporary architecture.

Melissa Mongiat and Mouna Andraos/livingwithourtime
Melissa Mongiat
holds a BA in Graphic Design from the Université du Québec à Montréal and an MA with distinction in Creative Practice for Narrative Environments from Central Saint Martins College of Art and Design. She continues to visit both institutions as lecturer or teacher.
While embracing opportunities that new media has to offer, Melissa’s approach focuses on participation and narratives. Her projects enable the public to live stories that are relevant to them and have an enduring effect.
She is best known for her work on a series of public interactive installations created for London’s Royal Festival Hall, which led to her selection by Wallpaper* magazine in 2007 as one of the world’s ten breakthrough designers. In Montréal, The Good Conspiracy, a multi-platform project she created while creative director at Amuse, was presented at the Biennale 2009.
Melissa Mongiat is also known for her research work on participatory design created in collaboration with Kelsey Snook. The results have been presented notably at the Royal College of Art in London, the Banff New Media Institute and the Instituto di Diseno Europeo in Barcelona, as workshops and conferences, and led to the creation of Good Participation.
In November 2010, Melissa Mongiat represented Montréal at the Design Biennale in Saint-Étienne, France. She was also recently awarded the Phyllis Lambert Design Award by the city of Montreal.

Mouna Andraos holds a Masters degree from New York University and a Bachelors degree from Concordia University and is also an alumni of Eyebeam Center for Art and Technology in New York City. She is currently teaching at Concordia University and UQAM’s École de Design.
Working under the label Electronic Crafts, Mouna has been exploring the intersection of mass-produced electronics and handmade crafts to create playful, sustainable or participatory objects. Some of her work include a giant word clock that tells the story of passing time and a portable power station that brings alternative electricity to the streets. Her work has been showcased at PS1/MoMA, Queens, as part of the 2008 YAP installation, Exit Art Gallery New York or in her first solo show at La Centrale Galerie Powerhouse in Montréal.
Considering technology as a vehicle for social change, an important part of Mouna Andraos’ work is geared towards demystifying and disseminating technology. She has led numerous workshops in places as diverse as Beirut’s Olympiades culturelles, the San José Biennale and the Nagoya Design Center.
Her web-based work for Montréal interactive agency Bluesponge has won numerous international recognitions including prizes from Communication Arts, ID magazine, Webby, Best of Show at the SXSW Festival and a CyberLion in Cannes. She was also recently awarded the Phyllis Lambert Design Award along with Melissa Mongiat by the city of Montreal.